Movies get us to believe all sorts of malarkey. We'll suspend reality to a veil-thin spread and accept time travel, space travel, aliens, monsters, dodging bullets, impossible-to-build machines and on and on.

After all, it's fun to escape and go for a ride, isn't it?

Perhaps more revealing, though, is our tendency to buy into the idea that the "good guys" are always the good guys. It's easy as pie to fall victim to this trap, with the whole movie centered around that belief.

But clearer heads prevail, and now we can review five movies where the good guys aren't so good, after all. In fact, as we'll see, they are downright bad.

Up first: But they make such a nice couple ...

Catherine Zeta Jones, Sean Connery, Entrapment

No. 5: "Entrapment" (1999)

There are a lot of examples of caper and heist films that build up the affections for the thief. "Entrapment" is a solid example of that.

Sean Connery plays a legendary art thief and Catherine Zeta-Jones is the insurance employee out to question him. However, she ends up joining in the fun and goes on a couple heists herself.

So we get this switcheroo action, some sexual tension, a little suspense and, of course, the brain-teaser methods they plan to pull off their heists.

There's a lot of intrigue here and, watching all this drama from the viewpoint of Connery and Zeta-Jones, we almost forget that we're watching a couple of thieves. (And, oh yeah, honest people are going to lose out big time because of their game.)

When it comes to our next selection, good is a relative term ...

Clint Eastwood, The Good the Bad and the Ugly

No. 4: "The Good, the Bad and the Ugly" (1966)

The wool being pulled over our eyes in this legendary spaghetti Western is pretty transparent.

Heck, right there in the title we are told to believe that Clint Eastwood's character is the one with, well, character. But no matter the title, the audience has no problem falling for Clint anyway. After all, as "The Man With No Name," he carries himself so well as he coolly makes his way through life, going about his business.

And his business?

Oh, you know, scamming law enforcement officers out of their reward money and killing other bounty hunters. But hey, maybe when he makes off with a small fortune at the end of the movie, he decides to change his ways -- building a shelter for runaway youth, perhaps?

Not likely; but no matter, it's sort of ingrained in the American male psyche that this idea of a lonesome, cool cowboy is an endearing one.

Next, we ask the question, "Is there really honor among thieves?"

Mark Wahlberg, Charlize Theron, The Italian Job

No. 3: "The Italian Job" (2003)

This film tries pretty hard to glorify these likeable heisters, offering a gem of a scene where every partner-in-crime is introduced with a short biography.

The explosives guy is shown in an "aw shucks" fashion when, as a youngster, he makes a toilet explode. (Oh, look, he's all wet. Let's just forget about his choice to enter a life of theft.)

The leader of the gang is shown as a boy stealing a wallet from another classmate. Oh, but it's OK. In fact, it's honorable, because it happens to be from a bully picking on a kid that very moment. How convenient.