"Lucas had an analog approach -- 'It's mine, I can do whatever I want,'" she says. "It's almost borderline hostile."

The fans, on the other hand, have already taken "Star Wars" places Lucas never imagined, and they weren't shy about expressing their dismay with the second trilogy of films, all of which were written and directed by Lucas. There's something "organic" about "Star Wars," says Scott, and Lucas tampered with that feeling when he made the newer films -- particularly thanks to his sometimes ham-fisted screenwriting.

"The (second trilogy) also feels synthetic in terms of plot," says Scott, "and most fans blame Lucas the screenwriter for that."

Bridging worlds

The fans aren't the only ones. The general consensus on the first film's script, also written by Lucas, was best summed up by Harrison Ford, who famously told the writer-director, "George, you can type this s***, but you sure as hell can't say it."

The scripts improved for the second and third films, "Empire Strikes Back" and "Return of the Jedi," thanks to the participation of writers Lawrence Kasdan and Leigh Brackett. Rosado believes "Star Wars VII," which will feature a script by "Little Miss Sunshine" and "Toy Story 3" screenwriter Michael Arndt, will make the new movie a must-see for fans as much as Abrams' involvement will.

"[Arndt] likes to develop characters, and that's something that J.J. Abrams is also well-known for doing," he says. "If you look at the prequels, which a lot of fans malign, it's because of that special attention that wasn't given to (the characters)."

The new movie also gives the franchise a chance to reach a new generation -- something that was undoubtedly on Disney's mind when the studio purchased Lucasfilm last year for $4 billion. Rosado foresees more synergy with Disney's theme parks; Herbert sees an opportunity to make the post-"Star Wars" generation excited about the franchise, perhaps for the first time.

Herbert has noticed that his current students, who were born in the early '90s, no longer find "Star Wars" a touchstone. "For them, there's less specialness because the ripple effect of 'Star Wars' had already taken hold," he says. For these under-25s, the new film is "about extending the life of the brand, because it doesn't have a life right now."

And Abrams, the master of the reboot -- besides "Star Trek," he also directed "Mission: Impossible 3" -- may be just the guy to do it. At the very least, says Rosado, he and Arndt can provide a counterweight to Lucas and give "Star Wars VII" a different attitude, with more fun and depth than the second trilogy had. After all, that's what Kershner and Kasdan did with "Empire," which is widely considered the best of the six "Star Wars" films.

"As much as I love the idea of George Lucas and all of his crazy concepts, he is at his best when someone else is realizing his vision for him," he says. "Empire" has that imprint, he says. So do the novelizations, comic books and video games.

Regardless of what the future brings, Scott is trying to relax. The news about Abrams and Arndt has helped, but she's been burned before.

"I'm always going to keep my guard up, ever since the prequels," she says.

Perhaps the Empire is listening this time.